3/9/2024 0 Comments Ibanez guitar 1993She urges you to “ rub it better, until it bleeds,” then hollers and howls at the man who’s left her pregnant and alone. Her voice is more than a song, it’s a hiccupping, percussive, unbridled instrument. Harvey was listening to records, reading profusely, deeply engaged in the act of language as a rebellion and an act of love. The album was recorded directly to a Yamaha MT 2X 4-track recorder in a flat above a Dorset restaurant. She’d defer it again to write 1993’s Rid of Me, during which these demos emerged. She was an art school student, her sculpture degree deferred to fulfil a record deal she’d signed for 1992’s Dry. She was untamed, wild in a way that felt nerve-tingling: sexual, sensual, violent and demure without signposting which Harvey was about to emerge in the following moments.
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